THE EXHIBIT WALL
Entered Into the Record
EXHIBIT 002 — A coordinated string front line. Three instruments. Zero permits checked.
EXHIBIT 003 — Two grown adults sharing one microphone. Budget for a second microphone: unclear. See /receipts.
EXHIBIT 005 — Note the mason jar painted on the drum head. Investigators believe it symbolizes 'a mason jar.'
EXHIBIT 006 — The subject in face paint. The occasion remains unknown. The commitment is undeniable.
EXHIBIT 007 — Six-piece formation, 2017. The drummer's shirt is a flag. This is the most patriotic evidence we possess.
EXHIBIT 008 — Banjo deployed against a psychedelic backdrop. The projection did not consent to bluegrass.
EXHIBIT 010 — Group harmony, captured live. Analysts describe the blend as 'tight,' which is somehow an accusation now.
EXHIBIT 011 — The subject at the keys. The bassist's fedora has its own case file.
EXHIBIT 015 — Barefoot. Patterned pants. Green light. 2016 was a different time. The banjo was the same banjo.
EXHIBIT 016 — The Man Bun Era. The Committee agreed unanimously to include this one.
EXHIBIT 019 — Singing AND playing keys. Multi-tasking of this kind is a gateway to running a business.
EXHIBIT 020 — A washboard, deployed as an instrument. Laundry was never the same.
EXHIBIT 021 — Purple lightning projection. Crowd at capacity. Somebody promoted this event competently. We know who.
EXHIBIT 022 — A theatre. A THEATRE. This organization had stage plots.
EXHIBIT 025 — The subject, laughing, mid-performance. Whatever was funny has never been disclosed.
EXHIBIT 040 — December. Santa hat. Banjo. Even the holidays were not safe.
EXHIBIT 013 — Green lasers. Raised hands. This is what unchecked audience engagement looks like.
CHAIN OF CUSTODY
Evidence FAQ
Are these photographs real?
Devastatingly, yes. Every exhibit is an authentic archival photograph from the 2013–2018 period. The Committee added nothing but captions and grievances.
Who took these photos?
Patriots. Concert photographers, friends, and at least one person standing in a river. Credits are preserved in the original archive; the Committee thanks them for their service and apologizes for the context.
Why black and white?
Three reasons. One: the truth has no color. Two: archival gravitas. Three: our design consultant said, quote, 'attack sites are black and white, red accents only,' and billed us for it. The invoice is redacted.
Where is the color evidence?
Restored color versions of select exhibits exist. One is released on the final case file — /who-is-behind-this/ — for readers judged emotionally ready.
Can I submit a photograph?
Yes. Old Tyler photos, banjo footage, questionable facial-hair eras, unusual stage outfits — the tip line accepts all formats. Your submission may be used to further the investigation. That's the checkbox. That's what it's for.